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academy award costume design

Jamie Lee Curtis appeared to be truly surprised upon hearing her name as best actress in a supporting role, yelling "shut up" from her seat when she was announced. This movie is set on a farm in Northern Ireland where two estranged brothers are forced to spend time together following the death of their mother. "An Irish Goodbye" has won the Oscar for best live action short film.

The Coolest Outfit From 32 Movies That Won Best Costume Design At The Oscars

academy award costume design

As part of this aesthetic, Costume Designer Jaqueline Durran had to bring an element of the static, the “never been outdoors” to her work. She uses a sort of “matte finish” color palette and fabrics, making the scene look almost like a 19th century illustration or a distant memory. Catherine Martin could’ve done a little more to hint at the mysterious past that Jay Gatsby (Leonardo DiCaprio) hides himself from. Only Toby McGuire’s Nick is given the working class treatment, in his standout earth tones and flat, natural fabrics. But it works, since the story about a group of rich socialites ruining each other’s lives is told from Nick’s point of view. Earlier on the red carpet, Quan mentioned that his family, including his brother whom he also thanked, had traveled from Houston to support him on Oscars night.

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Was it that big of a surprise that Titanic took home the Oscar for Best Costume Design in addition to 10 other categories at the 70th Academy Awards? The outfit that still looks great all these years later is the dress worn by Rose DeWitt Bukater (Kate Winslet) as she walks down the grand staircase to meet Jack Dawson (Leonardo DiCaprio). In Marie Antoinette, Sofia Coppola approached the notorious French monarch with a modern sensibility to create a game-changing cinematic experience. Kirsten Dunst’s looks stunning throughout the movie and is one of the reasons for its Best Costume Design Oscar. This is especially true after watching the wonderful masquerade ball in which Marie is wearing an all-black dress and see-through mask over her eyes. Victor Fleming’s Joan of Arc was the first movie to win an Oscar for Best Costume Design - Color back at the 21st Academy Awards.

Admire dozens of costumes from Oscar-winning films, for free, in DTLA - NBC Los Angeles

Admire dozens of costumes from Oscar-winning films, for free, in DTLA.

Posted: Wed, 13 Mar 2024 07:00:00 GMT [source]

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There is a reason Colleen Atwood makes this list four times, and Alice in Wonderland perfectly exemplifies everything about her work. This film is an earlier gig by Costume Designer Sandy Powell, in which she takes on recreating some of the most iconic looks of the Studio era. She was also tasked with having to come up with a color palette to match the imitation two-strip color processing that Director Martin Scorsese uses for certain scenes. If Queen Victoria weren’t such a fascinating woman, there probably wouldn’t be so many versions of her story. But she was fascinating, not the least for being madly in love with her husband, Prince Albert (Rupert Friend), whom she met through an arranged marriage.

Anita (West Side Story)

'Barbie' and 'Poor Things' Go Head to Head for Best Costume Design - IndieWire

'Barbie' and 'Poor Things' Go Head to Head for Best Costume Design.

Posted: Fri, 26 Jan 2024 08:00:00 GMT [source]

Al Pacino presented the category in celebration of the 50th anniversary of "The Godfather Part II." Jimmy Kimmel hosted the 96th Academy Awards, a ceremony which honored excellence in cinematic achievements for some of the past year's biggest films. The 2024 Oscars have come and gone, and "Oppenheimer" was the big winner of the night.

Rob Marshall’s 2005 epic drama, Memoirs of a Geisha, tells the story of Chiyo Sakamoto (Zhang Ziyi) as she goes from being a young girl sold to a geisha house to becoming a renowned beauty after years of training. The best outfit of the whole movie can be seen partway through the film when Chiyo first becomes a geisha in a sequence that is truly outstanding. Richard Attenborough’s epic 1982 biographical drama, Gandhi, featured all kinds of superb outfits from multiple periods during its recounting of Mahatma Gandhi’s (Ben Kingsley) life. The costume that stands out among is the simple dhoti worn by the civil rights activist as a form of protest against Britain’s control over India.

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Best Costume Design winner Mark Bridges succeeds in the daunting task of creating couture looks that infuse this sense of loss into each bespoke gown. Costume Designer Sandy Powell was fortunate to have access to the royal archives and even Queen Victoria’s (Emily Blunt) wedding dress and coronation robes. She does a beautiful job of re-creating the queen’s wardrobe no matter what the occasion.

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This epic saw Ingrid Bergman take on the role of the French icon as she fought to save her people from the English. There are a lot of great outfits, but nothing comes close to an armored Jeanne d'Arc atop a horse with a sword. George Miller’s Mad Max franchise has given the world some outrageously wild characters over the years, including Fury Road’s big bad, Immortan Joe (Hugh Keays-Byrne). The voice and hair are cool, but Joe’s mask, absurd armor, and series of tubes look so crazy and menacing. An earlier Colleen Atwood endeavor is the big-budget adaptation of the renowned stage production by the great Bob Fosse and Fred Ebb. With former choreographer Rob Marshall at the helm, Chicago swept the Oscars that year, in no small part due to Atwood’s costuming.

The classic love story “Cyrano de Bergerac” has never looked more romantic, courtesy of director Joe Wright and costume designers Massimo Cantini Parrini and Jacqueline Durran. Wright’s musical film, adapted from a recent stage production of the 1897 play, stars Peter Dinklage in the titular role. Every costume was crafted specifically for the film, and Parrini created more than 750 costume pieces from scratch to reflect France in the early 1700s. The designer was particularly inspired by 18th-century watercolors, as well as “extreme” contemporary fashion. “In my costumes, I find the need to insert modern elements to make the pieces truly unique,” he says.

From elevated 1920s fashion to cutting-edge futuristic ensembles, the 95th Oscars costume design nominees have captivated audiences worldwide with their visually stunning designs. Now that we've done a comprehensive review of the Academy Award for Best Costume Design, let's continue our Oscar series with hair and makeup. Naturally, a fantastic costume isn't actually complete without equally stunning hair and makeup to complete the look.

Oscar-winner Cillian Murphy repeated his Best Actor win at the Academy Awards for Oppenheimer with a win for Lead Actor. In the supporting categories, Paul Mescal won for All of Us Strangers and Alison Oliver topped all for Saltburn. Cena did end up coming onstage with nothing but a large envelope covering his private parts. Since he couldn’t move the envelope to open it, there was a quick cut and he re-appeared wearing a curtain-like golden toga. Costume designer Gersha Phillips did an immense amount of research exploring the history of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s. Her research brought forth beautiful textiles and fabrics that perfectly support an amazing cast (led by Viola Davis) as the audience dives into the heart of Dahomey and West Africa.

While some critics found the performance highly empathetic, others said the film was fatphobic. Jenny, the adorable donkey who fatefully appeared in the film "The Banshees of Inisherin," was brought on stage by host Jimmy Kimmel, who said that in addition to being a performer, Jenny was a "certified emotional support donkey." Other nominees in the category included Bradley Cooper for "Maestro," Colman Domingo for "Rustin," Paul Giamatti for "The Holdovers" and Jeffrey Wright for "American Fiction." This awards season, Murphy has won a Golden Globe, a Screen Actors Guild Award and a BAFTA. In addition to best director, Nolan was also nominated tonight for best adapted screenplay, which ultimately went to Cord Jefferson for "American Fiction."

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